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Elyse Longair

  • About
  • Collage and Collage Aesthetics
  • Community Engaged Art
  • Curatorial
  • Music, Scores & Soundscapes
  • Updates

Beyond GLAM Land Acknowledgments: Activating Decolonization and Indigenization in Galleries, Libraries, Archives, and Museums Micro-credential →

October 4, 2023

Excited to be taking Beyond GLAM Land Acknowledgments: Activating Decolonization and Indigenization in Galleries, Libraries, Archives, and Museums Micro-credential this fall. Thank you to the RBC Centre for Emerging Artists and Designers at OCADU for this generous opportunity!

This micro-credential critically examines the work of the galleries, libraires, archives, and museums (GLAM) with a view to make space for new ways of being through practical and theoretical discussions of how to apply decolonizing and Indigenizing actions to these spaces.

In the traditional museum/archive, curators, staff members, and researchers are trained to respectfully care for, research, learn from, interpret and display artwork, objects, and specimens. These items are equally recognized and referred to as Ancestors, Beings, and Belongings. We will explore how to rethink our work from the foundational level of what we do – including what we do in our day to day lives, through close examinations of the words of contemporary Indigenous scholars and curators. Topics include positioning yourself, critiquing written and unwritten narratives, critiquing authenticity and authority, and decolonizing exhibition content. We will think together about how to put these words into practice to de-centre colonial ways of thinking, and in doing so, learn how our work in GLAM can interrupt and unsettle dominant narratives in our society.

As both facilitators are based in what is now known as Ontario, our discussions will primarily focus on Turtle Island, but the topics covered are of relevance internationally.

LEARNING OUTCOMES
Upon the successful completion of this micro-credential, students will have gained:

  • An understanding of appropriate terminologies

  • An understanding of how to create decolonizing texts and labels

  • Skills in developing strategies for building relationships and partnerships

  • The awareness to identify challenges with museums and institutional inheritances

  • Skills in developing strategies for decolonizing museums and institutional practices

  • A critical evaluation of how settlers contribute and benefit from colonialism, privilege and how to activate changes

  • An understanding of the implications of the Truth and Reconciliation Commission of Canada (TRC) and the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP) for GLAM, especially in relation to exhibitions, databases, research, collections, and collecting

← UAAC 2023: Panel Chair, Imagination and Collage, University of Arts Association of Canada Conference (UAAC), The Banff Centre For Arts and CreativityExcited to continue my creative role with KPP Concert Productions! →

Latest Posts

Featured
UAAC 2026: Presenting Infrathin Images on Art/Theory: Revisiting the "Ancient Conflict"
October 13, 2026
UAAC 2026: Presenting Infrathin Images on Art/Theory: Revisiting the "Ancient Conflict"
October 13, 2026

Looking forward to Presenting Infrathin Images at UAAC 2026
on Art/Theory: Revisiting the "Ancient Conflict"
October  13–15, Concordia University, Montréal, QC

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October 13, 2026
Worlds World Worlds, at Union Gallery, Kingston Ontario, June 9-August 29, 2026
August 29, 2026
Worlds World Worlds, at Union Gallery, Kingston Ontario, June 9-August 29, 2026
August 29, 2026

Excited to share my upcoming exhibition, Worlds World Worlds, at Union Gallery, Kingston Ontario, June 9-August 29, 2026

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August 29, 2026
Exploring Zines and Exquisite Corpse Drawings with Tett Summer Camp Participants
July 9, 2026
Exploring Zines and Exquisite Corpse Drawings with Tett Summer Camp Participants
July 9, 2026

Exploring Zines and Exquisite Corpse Drawings with Tett Summer Camp Participants

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July 9, 2026
My work will be part of Union Gallery's Theme Launch Party, Living Together
June 3, 2026
My work will be part of Union Gallery's Theme Launch Party, Living Together
June 3, 2026

Celebrate the start of summertime at Union Gallery as we launch our 2026-2027 curatorial theme: living together! There will be light refreshments, crafty activities, and lots of time to explore UG’s summer exhibitions and socialize with fellow artsy folks in Katarokwi/Kingston.

Wednesday, June 17, 5pm
Union Gallery (101 Union Street)
RSVP

Suggested donation $5-10 or pay what you can (no one turned away for lack of funds, no questions asked). Funds raised will go toward our budget for free public programs this summer. Donations will be accepted in cash at the door or in advance through their Zeffy page.

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June 3, 2026
Infrathin Images on ygkevents
April 15, 2026
Infrathin Images on ygkevents
April 15, 2026

Infrathin Images on ygkevents

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April 15, 2026
Solo Exhibition, Infrathin Images, April 15 - 24, Art and Media Lab, Isabel Bader Center.
April 11, 2026
Solo Exhibition, Infrathin Images, April 15 - 24, Art and Media Lab, Isabel Bader Center.
April 11, 2026

Solo Exhibition, Infrathin Images, April 15 - 24, Art and Media Lab, Isabel Bader Center.

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April 11, 2026
SAC FIGURATIVE MASTER CLASS WITH HAN DAI-YU AND RENÉE REIZMAN
March 16, 2026
SAC FIGURATIVE MASTER CLASS WITH HAN DAI-YU AND RENÉE REIZMAN
March 16, 2026

In this hands-on masterclass, Han Dai-Yu (Figurative Artist) and Renée Reizman (Artist and founder of Disability Drawing Club) guided participants through the process of creating figurative portraits using pencil. Exploring concepts of inclusion and universality, the class worked with a model with a disability as the subject. No experience was required.

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March 16, 2026
SAC Artist Opportunity Swap: A Reciprocal Cyclic Exchange
March 15, 2026
SAC Artist Opportunity Swap: A Reciprocal Cyclic Exchange
March 15, 2026

Amanda Lechner led our first-ever Artist Opportunity Swap: A Reciprocal Cyclic Exchange.

In this active, participatory workshop, artists gathered to share opportunities and build reciprocal connections. Practicing artists at different stages of their careers—including early-career artists, junior faculty preparing for promotion, and established artists looking to reinvigorate their practice—were invited to arrive with at least one opportunity to offer and to leave with at least one new opportunity in return.

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March 15, 2026
A Calligraphy and Meditation SAC Masterclass with Han Dai-Yu
March 14, 2026
A Calligraphy and Meditation SAC Masterclass with Han Dai-Yu
March 14, 2026

Below are photographs from Embodied Creative Practices: A Calligraphy and Meditation SAC Masterclass with Han Dai-Yu, held during the CAA Annual Conference. I am so proud of our Services to Artists Committee (SAC) team for leading such thoughtful and important programming.

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March 14, 2026
Annual Artist Interviews at CAA114
March 9, 2026
Annual Artist Interviews at CAA114
March 9, 2026

I had the pleasure of introducing two incredible artists during the 114th CAA Annual Conference Annual Artist Interviews!

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March 9, 2026